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Fred Forest: artist, communication, media and network strategist, pioneer of video, digital and blockchain art

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1962
Discover the Fred Forest archives: more than 60 years of action around the world, sociological, communication, criticism and ethics... 246 actions and 296 videos. EXHIBITION AT THE CENTRE POMPIDOU FROM JANUARY 24 TO OCTOBER 14, 2024
2024

CITIES AND COUNTRIES AROUND THE WORLD WHERE FRED FOREST HAS ALREADY INTERVENED AND THROUGH WHICH “THE FOOT BANK” EXCHANGES WILL ALSO PASS

 

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The writings by Fred Forest

“Functioning and dysfunctioning of contemporary art – A lawsuit as an example”

The newspaper Le Monde on the subject of contemporary art, wrote on April 4, 2000:
"Open letters to the minister, controversies, suspicions, misunderstandings, nothing has been missing in recent months. Beyond administrative questions, the debate concerns a crucial point: what should be the extent of state support in the field of creation? More and more artists regret having as their interlocutors the "creation inspectors" of the Délégation aux Arts Plastiques, whom they suspect of cronyism and denounce the lack of transparency."

This book tends to reveal the limits and contradictions of a system which can no longer continue in the current elite form for the benefit of a handful of privileged people, always the same, who benefit from complacency and public manna. Fight of the earthen pot against the iron pot, this is the detailed description of my trial up to the Council of State against the Centre Georges Pompidou, and through it, against the public institutions of contemporary art for their refusal of transparency on acquisitions and their failure to respect the law of 1978 on public accounting.

Beyond art, the approach undertaken here is, above all, a citizen approach asking the true question of the use of public funds and that of the mission of culture in a democracy.

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Rencontre avec Fred Forest

LONG BIOGRAPHY OF FRED FOREST

Fred Forest has a special place in contemporary art. Both by his personality and by his pioneering practices which mark his work. He is mainly known today for having used one by one most of the communication media that have appeared over the last fifty years. He is co-founder of three artistic movements: those of sociological art, the aesthetics of communication and ethics in art.

He represented France at the 12th São Paulo Biennale (Communication Prize) in 1973, at the 37th Venice Biennale in 1976 and at Documenta 6 in Kassel in 1977.

EXHIBITION AT THE CENTRE POMPIDOU FROM JANUARY 24 TO OCTOBER 14, 2024

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